Sarah O'Connor

Writer – Playwright – Cannot Save You From The Robot Apocalypse

“Maybe this is love, the things we endure for the other, the willingness to face death, to stare it down, and not be afraid,” (Ernshaw 216).

Travis Wren has a gift for finding missing people, all he has to do is touch an object belonging to the missing person and he can get an image of where the person went. When he is hired by the parents of a famous author of dark children’s stories, Maggie St. James, Travis finds himself on the road to a town called Pastoral. A rural community founded in the 1970s, the town itself seems like a thing of legend, but Travis follows the road Maggie took thinking we may find it. Years later Theo, a lifelong member of Pastoral, finds Travis’ abandoned truck on the border just outside of the community where he himself is not supposed to go in fear of bring the rot, a deadly disease, into the community. But Theo isn’t the only one with secrets, his wife Calla and her blind sister Bee also carry them safely in their hearts, but secrets can only stay hidden for so long. Continue reading

“Give me what I want, and I’ll go away,” (King 75).

The Storm of the Century is coming to Little Tall Island, and while the town folk have dealt with their share of bad storms this one comes with promises of hurricane-like winds and five feet of snow, and something worse. Just as the storm begins one of the town’s eldest residents is murdered violently and the culprit, Andre Linoge, waits in her house to be caught. When Constable Mike Anderson apprehends him and puts him in the town’s tiny island Linoge has no answer for what he’s done or why he’s on the island except for one request: to give him what he wants, and he’ll go away. Continue reading

I received this book from River Street Writing in exchange for an honest review. 

“We may be nomadic and seem a little lost to people, but we’ve stripped away all the nonsense here. What’s the rush to get back to a conventional life? What’s the rush to go back and become good little corporate citizens, and lose our opportunity to truly pursue the things that matter to us without worrying about ‘the game?'” (Green 14). Continue reading

“Ghost stories might not all use the same words, but they all sound like the same words because it’s the ghost we think about, not the words,” (Malerman 65).

Eight-year-old Bela loves Mommy, Daddo, and Grandma Ruth, and she used to like Other Mommy until she changed. Other Mommy used to make her smile, but now all she does is make scary faces and ask Bela the same question over and over: Can Other Mommy live inside Bela’s heart? Bela doesn’t want to let Other Mommy into her heart, but  horrifying incidents continue around the house that even Mommy and Daddo start to notice. Mommy and Daddo don’t want Other Mommy to hurt Bela either, but no one seems to know just how strong Other Mommy might be. Continue reading

“Pain is a God the body worships,” (Ajram 69).

Vicken has planned his suicide; he will drown himself in the Saint Lawrence River after suffering from clinical depression for years. But when he gets off the subway he finds himself in a strange, endless labyrinthine station that he can’t escape. And he’s beginning to suspect he isn’t alone. Continue reading

I received this book from River Street Writing in exchange for an honest review. 

“Despair was like that, eating away at you from the inside, so that you hardly recognized it when you went dark. There was no point arguing with it at times like that. It would always win,” (Fahner 176).

Lizzie Donoghue wants more out of life. She wants out of the mining town of Creighton and her large Irish family’s convenience store and finds that Michael Power may be able to offer her just that. But Michael is not all that he appears to be, and Lizzie’s life will turn out anything than what she hoped it would be. Continue reading

“A child’s worry was not like an adult’s. It gnawed deep, and was so unnecessary. Why did people not realize children could withstand the truth? Why did adults insist on filling children with the deceptions their own parents had laid on them, when surely they remembered how it had felt to lie in bed and cry over fears no one had bothered to help you face,” (Winter).

In 1968 Labrador, Canada an intersex baby is born and only three people know, the baby’s parents and their neighbour and midwife Thomasina. Treadway, the baby’s father, decides to raise the baby as a boy named Wayne while his mother Jacinta and Thomasina secretly nurture his feminine side. As Wayne grows up in the patriarchal world of his father he thinks of an image of a girl curled inside of him Thomasina has called Annabel. Wayne must leave Labrador for St. John’s in order to finally come to terms with his identity. Continue reading

“When I’m in the theatre I feel held. I feel simultaneously safe and like something very dangerous is about to happen, and that dangerous thing is the wall of my chest peeling back — slowly, so slowly, in time with the curtain rising. And if the play is my play then everybody present can gather close and peer at my naked heart,” (Silverman).

Cass has fled to Los Angeles after ruining her career in New York. Her life as a promising feminist playwright has gone down the drain, but Cass can’t fully accept that yet. As she ignores the articles about her online and tries to reinvent herself she meets her next-door neighbour Caroline, a director making a semidocumentary on a group of teenage girls who meet to participate in a Fight Club like group. But as Cass watches the film take shape she is troubled by the way Caroline manipulates the young girls into performing her vision of the movie as she comes to terms with her own relationship to art and the price of fame. Continue reading

“All scary stories have two sides…Like the bright and dark of the moon. If you’re brave enough to listen and wise enough to stay to the end, the stories can shine a light on the good in the world. They can guide your muzzles. They can help you survive,” (Heidicker 5).

On a dark autumn night, seven fox kits find the storyteller and beg for a scary story, but are all seven kits brave enough to stay until the end? Continue reading

“The town cares for devil’s work no more than it cares for God’s or man’s. It knew darkness. And darkness was enough,” (King 327).

After some time on the run a terrified man and boy resolve that they must return to the small town of ‘Salem’s Lot they escaped from and face the evil that has made a home there. Continue reading