Sarah O'Connor

Writer – Playwright – Cannot Save You From The Robot Apocalypse

“Christ ascended into heaven in his body, we are told, but all too often we poor mortals here on earth are left with ugly heaps of maimed meat and that constant, reverberating question: Why? Why? Why?” (King 81).

When Jamie Morton was six years old, his smalltown of Harlow, Maine got a new minister. Reverend Charles Jacobs, his wife, and young son were believed by the local community and brought life back into the church, but after Reverend Jacobs deals with a tragedy and leaves town after delivering one last harsh sermon to his congregation. For the next five decades, Jamie and Reverend Jacobs will cross paths in unpredictable, life-changing ways that will affect Jamie’s view of the world forever.

I don’t know how I learned about Revival but I’m so happy I did, it is easily a new favourite of King’s for me and I believe a hidden gem in his long and impressive bibliography. It definitely won’t be for everyone. At nearly 500 pages, Revival is a slow story spanning fifty years and concerning itself with the ways that it’s protagonist Jamie and Reverend Charles Jacobs lives intersect in unexpected ways as Jamie slowly learns what Jacobs has been doing all these years since leaving disgraced from his smalltown, and what his obsession has cost him. Most of the action happens at the very end, but I for one loved the slow-build of the novel and think it’s almost interesting to fully grasp the horror of it’s ending.

Jamie was a good protagonist to follow, not all that stand-out from some of King’s other leading men, but I liked his voice and seeing how his life played out. I thought Charles Jacobs was a fascinating man to study and was curious about what he was fully trying to achieve. Without spoiler, the main driving point of the novel is what happens after we die? If there was a way to learn what happens after death, would we do it and further more, would we want to know? It’s a simple concept that many writers have explored, but I think King does a fantastic job of it here but letting these characters explore these things without judgement or complete empathy either. It’s a question many people wonder, but King takes a look at how far some people might be willing to go to find out. I wasn’t expecting the ending, it’s one of the bleaker of King’s works and it gets more horrifying the longer it sits with you, but there are certain aspects of the ending that I know won’t be for all readers. It’s what I think makes Revival a fairly polarizing read, you’re either going to love the slow build-up and reveal or you’re not going to be into it at all, but I urge you to give it a chance because I thought it was well worth it.

With a sprinkling of Pet Semetary and ‘Salem’s Lot, Revival is an underrated work in King’s catalogue that really needs more appreciation. It’s easily made it onto one of my favourites of his works!

Publication: November 11 2014
Publisher: Mass Market Paperback
Pages: 466 pages (ARC Paperback)
Source: Library
Genre: Fiction, Horror
My Rating: ⛤⛤⛤⛤.5
Summary:

The new minister came to Harlow, Maine, when Jamie Morton was a boy doing battle with his toy army men on the front lawn. The young Reverend Charles Jacobs and his beautiful wife brought new life to the local church and captivated their congregation. But with Jamie, he shares a secret obsession—a draw so powerful, it would have profound consequences five decades after the shattering tragedy that turned the preacher against God, and long after his final, scathing sermon. Now Jamie, a nomadic rock guitarist hooked on heroin, meets Charles Jacobs again. And when their bond becomes a pact beyond even the Devil’s devising, Jamie discovers that the word revival has many meanings….

I received this book from River Street Writing in exchange for an honest review.

“Fear makes individuals see omens in places they shouldn’t…” (Ly 134).

In the magical world of Lanilia, Rhys awakens on the shore of a Mernese estuary with no memory and strange wounds on his back. The protector of the estuary, a mermaid named Delia, is curious about Rhys and smells magic on him but cannot determine who he may be. With Delia’s help, Rhys goes on a journey to discover who he was, what he has forgotten, and who he could become in this world of magic.

I have been on the hunt to read more fantasy so was very happy when River Street Writing asked me to review David Ly’s debut fiction novel Not All Dragons. I thought the concept sounded interesting, and I’m always looking for new Canadian authors to add to my reading list. I am very happy to have read this book, and think the story has a lot of potential, but there are some areas that need a bit of work.

Strangely enough, I’ve read quite a few books this year where the main character suffers from amnesia, and I’m learning that it’s a trope I’m not a fan of. I understand it from a writing perspective and how it can work plot-wise, but for myself it’s frustrating to follow a character who knows nothing about themself or the world around him, and that’s what we have with Rhys. I would have thought even if he didn’t remember his own past or life that he might know Lanilia where he was from, might recognize and know the threat of the Unravellers, but aside from knowing his name Rhys is more or less a blank slate eager to learn who he is, and I just didn’t find him all that interesting.

The world of Lanilia was a great setting. I loved the bit of lore Ly dropped about different species and where they lived. I thought Delia, Petalia, and the other mermaids we met were fascinating and would love to see Ly either write a book set in this world from Delia’s perspective or following the Mernese more closely because they were so interesting and the bit we learned about their lore very intriguing. I wish that more had been said about the Unravellers. While we are told theories of what their big plan is and see how they harm Lanilia and those who live there (which included some truly chilling descriptions), they aren’t as much of a threat as they are set up to be. Yes, the Unravellers cause trouble and destruction, but they come off as more of a nuisance then any real threat. I thought there would be some connection with Rhys’ lost memories and the scars on his back, and while they relate a bit to his backstory there’s never any real confrontation or resolution with the Unravellers. Another threat could have been added without them being there and the story wouldn’t have changed much. There was also a shocking amount of grammar and spelling errors in my copy, though it is an ARC which is understandable and I’m sure this will be fixed when the book is officially published.

I did enjoy the topics of identity that were brought up, and really loved the world the book was set in. But Not All Dragons is a relatively short book, and a lot is happening in very few pages meaning that connections between characters that instead of character development being gradual it happens suddenly. The story itself takes place in only a few days, so the bonds between characters feels instantaneous and unrealistic considering the time frame we are given.

Not All Dragons has a lot of good things going for it as a fantasy book, and I think a younger reader or someone new to the fantasy genre would like it a bit more than I did. I do hope Ly continues writing in this world because it really is fantastic. I just hope next time he lets his readers really get to know his characters more so that we can connect and understand them better.

Publication: May 19 2026
Publisher: Poplar Press
Pages: 264 pages (ARC Paperback)
Source: River Street Writing
Genre: Fiction, Fantasy
My Rating: ⛤⛤⛤
Summary:

In a land of magic and myth, Rhys awakens on the shore of Lanilia with mysterious wounds on his back and no memory of his life before. Disoriented, he stumbles on the Mernese estuary protected by the mermaid Delia, who is quickly intrigued by this male who doesn’t smell like any Lanilian she’s ever met and who is unable to answer questions about himself. Determined to figure out his past, Rhys convinces Delia to help, and begins a dangerous journey to discover who he is, or was, and who he might become as they hunt for the truth beneath story and prophecy.

I received this book from NetGalley in exchange for an honest review.

“But the pain of losing a loved one never goes away. It remains deep in one’s soul, like a chronic illness that flares up at intervals. There are good days and bad days,” (Florence).

Molly Bannister is a single mother with a four-year-old daughter in desperate need of medical treatment. She needs a miracle after losing her job, and it arrives in her great-aunt’s will. The sole heir to her Great-Aunt Mary’s remote farmhouse in northern Alberta, Molly knows that she can make some money off the farmland, but the will states that she can only sell the farm after she has lived their for one year. Determined, Molly and her young daughter move from Arizona to Wildwood where they must learn basic homesteading skills, learn how to survive the brutal Canadian weather, and protect themselves from grizzly bears. On top of that, a neighbouring farmer seems to have plans to steal Wildwood from her. Reading her great-aunt’s journal for guidance, Molly is determined to stay the year to improve her and her daughter’s lives.

This is my first Elinor Florence book and so I have to ask, does she hate Americans? I know there’s a lot going on between Canada and the States right now so it’s definitely understandable and I don’t really blame her, but in this book it’s clear she must think they’re at least stupid. I also have to wonder if it was the suggestion from Florence’s publisher to have the book written in a way to really show American readers how different Canada is from the States because they would not be able to search it themselves. After doing some research, Florence is a Canadian writer and Wildwood was originally published by an independent Canadian publisher, Dundurn Press (2018), and has been republished this year (2026) by Simon and Schuster. I’ve become so fixated on this topic that I’ve search original reviews and have put a hold on an original copy of the book to compare these changes, because let me tell you that this Canadian reader found Wildwood a frustrating read.

I understand the appeal of a story with a single mother and a troubled young daughter willing to do anything for her child, but there just wasn’t much going for the story. Molly comes off as an idiot, her daughter Bridget has a very serious, awful, debilitating medical condition that is almost laughable in it’s reveal (SPOILER she has selective mutism), the story is incredibly predictable, and how Molly parents her four-year-old is another bizarre thing. At one point in the book Molly and Bridget see deer outside their house and Bridget asks what the animals are and Molly tells her they are like Bambi, to which Bridget replies, “I thought Bambi was just a cartoon…You never told me deers were real people.” And later when she and Bridget happen upon a beaver dam, Bridget asks her mom, “What’s a beaver?” Like girl, what are you doing to your child that she doesn’t know what a deer or beaver are?!

There are no real stakes in the novel, Molly and Bridget handle all the cruelties that Canada throws at them with relative ease, and a bizarre sort of romance sort of not plot that you might see in an Amish romance shows up without any real emotional attachment or care. The book starts with a prologue that is then told verbatim in Chapter 9 until it reaches it’s resolution at the end of the chapter, which is a bizarre way to include a Prologue. Why have it at all when it happens so early in the story? There is also an Indigenous character and mention that before Molly moved from Arizona from Alberta she did research and learned about the residential school system. Why did Molly do that and not learn anything else about Canada?!

Reading this book made me so angry and disappointed after all the hype I’ve heard from Elinor Florence. I have no interest in reading another book by her, though I understand the appeal that her work might have to some readers. I became so annoyed while reading Wildwood that I screenshotted all the parts that pissed me off, and now I share them eagerly with you. I cannot share page numbers because NetGalley pages are strange, but I hope you understand my thoughts a little more after reading these:

  • “It’s a scorcher, eh?”
  • “I converted Celsius to Fahrenheit in my head–twice, to make sure I wasn’t mistaken. Seveny-three degrees Fahrenheit did not a hot day make, but we were in the far north now…I saw several people in shorts and tank tops. Bridget and I were wearing jeans and jackets.”
  • “The room seemed unnaturally hushed. Breakfast at an American restaurant was a noisy affair, but here everyone was speaking in low voices…”
  • “Canada used the metric system, and I would just have to get used to it.”
  • “…it led to the Indian reservation, or reserve, as they called it here. Not only was that word different…I had to remember not to call them Indians. Apparently, they didn’t like being called Indians, and who could blame them, really. Here they were called Indigenous peoples.”
  • “Walking along the aisle with frozen desserts, I noticed there was little choice. The supermarkets in Phoenix had aisles the length of football fields devoted to all manner of frozen pies and cakes. Here the choice was limited to ice cream and Popsicles.”
  • “I paid for my purchases with bills in all the colours of the rainbow. At least it wouldn’t be hard to keep the different denominations straight here…since the bills looked like Monopoly money. For change, I received silver coins with gold centres, called toonies, each worth two dollars; and golden coins worth one dollar each that looked like they came from a pirate ship. These were called loonies, because they bore an engraving of a loon.”
  • “‘Canadian Tire’ sounded to me like an automotive shop, but to my surprise I found it was an all-purpose general store.”
  • A talk about guns in Canada:
    • [ “After searching the aisles at Canadian Tire, I stopped a young man in a scarlet vest and asked where the guns were kept.
    • “‘You mean hunting rifles?” he asked. “We don’t carry them here.”
    • ‘”No, I mean a handgun.'”
    • He looked puzzled. “‘Ma’am, where are you from?'”
    • “‘Arizona.'”
    • “‘I guess you don’t know that people aren’t allowed to own handguns in this country.'”
    • “‘You mean, never?'” I was surprised. “‘Aren’t there any exceptions?'”
    • “‘Nope. Not unless you want to join the local Rod and Gun Club and use it for target practice. Why do you want one, anyways?'”
    • “‘For self-defence.” He stared at me blankly. “‘You know, in case somebody tries to rob me.'”
    • “‘We haven’t had an armed robbery around here since before I was born.'”
    • “‘But how do people protect themselves?'”
    • “‘Don’t worry, you got nothing to be scared about. Up here animals are the biggest problem, not people.'”
    • He walked away, shaking his head. As we left the store, I saw him talking to one of the cashiers and pointing at me. Both of them were laughing.” ]
  • “The next day, I drained my third cup of coffee with relish. I was practically addicted to coffee, and this was the best I had ever tasted, better than any of the expensive brews served in Scottsdale. I’d bought some Tim Hortons coffee, named after a famous Canadian hockey player,”
  • Don’t forget, it’s cold in Canada:
    • [“Minus forty. Dear Lord. Nobody in Arizona wanted global warming, but I could see why it would be welcome up here in the north.
    • “‘That’s not including wind chill, a course.'”
    • “‘Wind chill? What’s that?'”]
  • A fun Thanksgiving reminder:
    • ‘”Oh, we almost forgot. Mrs. McKay wants you and your little girl to come over for Thanksgiving dinner. She knows you don’t have a phone, so she asked us to invite you.'”
    • “‘Thank you, that would be very nice.'” I hadn’t thought that far ahead.
    • ‘”Two weeks from today. Come early, because she wants to eat at four.'”
    • I must have looked puzzled.
    • “‘Canadian Thanksgiving is the second weekend in October…It’s because our growing season is shorter. Harvest is usually finished by the end of September. But a course we have just as much to be thankful for as the Americans, if not more.'”
  • “Under the robe was a cream-coloured woolen blanket with four broad stripes across one end, in green, red, yellow, and dark blue. A tiny red-and-white label in one corner bore a fabric crest marked HUDSON’S BAY COMPANY.”
  • “There were unfamiliar Canadian magazines called Maclean’s and Chatelaine.”
  • “The most unusual item was a woolen hood called a balaclava, designed to cover her little face with holes for eyes and mouth.”
  • “Then she gave me another warm woolen hat called a toque, plus a knitted tube that went around my neck called a neck warmer.”
  • “She had the short grey hair typical of Canadian farm wives, but it was beautifully cut and styled.”
  • “…Eileen introduced me to her husband, Cliff, a Canadian and hopefully non-smoking version of the Marlboro man.”
  • “I wasn’t sure if this was the famous Canadian reserve, but I was thankful for it.”
  • “But this guy was so rugged, he probably drank beer for breakfast and spent his weekends watching football. Or hockey, more likely.”
  • “…and thankfully the measurements were Imperial, not metric, one advantage of using a cookbook that pre-dated the metric system in Canada.”
  • “…it was minus twenty degrees Celsius, or four degrees below zero Fahrenheit.”
  • “I donned my coat and boots and gloves and scarf and hat — marvelling at the amount of time spent getting dressed and undressed in this climate…”
  • “‘Curling? Oh, you mean that game that looks like shuffleboard on ice.'”
  • “The sun rose and set so quickly now that it looked like a loonie tossed from one horizon to the other by an unseen hand.”
  • “The thermometer outside the back door read minus forty Celsius, the same as minus forty on the Fahrenheit scale.”
  • “I ordered an extra large double-double for myself and a maple-glazed doughnut and a container of chocolate milk for Bridget.”
  • “I checked the thermometer and was surprised to see it was only fifteen degrees Celsius, or fifty-nine Fahrenheit. That would be considered downright chilly in Arizona, but here it felt blessedly mild.”
  • And last but not least, something no Canadian would ever ask an American but Americans might (would) ask Canadians:
    • “‘Forgive me for asking, but I thought I detected a bit of an American accent there. Just when you said ‘abaout’ instead of ‘about.'”

Publication: April 28 2026 (February 24 2018)
Publisher: Simon and Schuster Canada
Pages: 400 pages (NetGalley)
Source: NetGalley
Genre: Fiction, Canadian
My Rating: ⛤⛤
Summary:

Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt’s will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter’s badly needed medical treatment.

With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly’s courageous great-aunt, the land’s original homesteader, inspires her to struggle on.

“Men don’t protect us, not really. They only protect themselves, or each other. The only thing men ever protected me from was happiness,” (Tintera 167).

Best friends Lucy and Savvy were well-known and loved in their small town. Lucy married a handsome, rich man and Savvy was a friend to all, even friendlier with the men in town if you believe the rumours. But one night Lucy is found wandering the streets covered in Savvy’s blood, and when Savvy’s body is found people naturally assume Lucy is guilty but with no hard evidence, Lucy is free to live her life. Five years later and living in L.A., Lucy is drawn back to her hometown when a true crime podcaster named Ben Owens decides to investigate Savvy’s murder and believes Lucy may be more innocent than she, or the town, believes she is.

It’s been awhile since I’ve read a mystery and Listen for the Lie was a fun one. I thought the concept was interesting, and I loved the use of podcast episode scripts interspersed throughout to tell the story and I think Tintera is very talented when it comes to voice. Lucy was a good protagonist and I liked her sharp, sarcastic personality even if it got to be a bit much sometimes, but even the voices of other characters we meet through the podcast have such a distinct, realistic voice that made reading the book enjoyable. It felt like real people talking, and I feel like not many authors are able to really nail realistic dialogue like Tinetera does.

The book itself can be a bit frustrating at times. Overall there is very little happening in terms of investigating Savvy’s death aside from Ben interviewing Lucy and the people in her town’s perspectives of what happened the night Savvy was killed, so at times the book is a bit boring. I also wasn’t a huge fan of the voice in Lucy’s head and the hallucinations she was having, I understand Tintera probably did this as a way to sow doubt but it felt a bit juvenile in the writing. Also, everyone in this town including Lucy’s parents are awful, assuming Lucy killed her best friend with very little evidence. Lucy’s hometown is also an incredibly horny one, everyone is practicing infidelity and loving it. I was honestly surprised how much sex was in this book. It isn’t necessarily a criticism, but I do wish a books worth was dictated by it’s spiciness as so many are nowadays.

Listen for the Lie is a fairly simple mystery that isn’t hard to figure out, but was still an enjoyable read. I love Tintera’s voice and hope she continues writing for adults as apparently this is her first adult book. While it felt a bit YA at times, she’s on the right track and has a great voice to continue writing for this audience.

Publication: March 5 2024
Publisher: Celadon Books
Pages: 336 pages (Hardcover)
Source: Library
Genre: Fiction, Mystery
My Rating: ⛤⛤⛤.5
Summary:

Lucy and Savvy were the golden girls of their small Texas town: pretty, smart, and enviable. Lucy married a dream guy with a big ring and an even bigger new home. Savvy was the social butterfly loved by all and, if you believe the rumors, especially popular with the men in town. But after Lucy is found wandering the streets, covered in her best friend Savvy’s blood, everyone thinks she is a murderer.
It’s been years since that horrible night, a night Lucy can’t remember anything about, and she has since moved to LA and started a new life. But now the phenomenally huge hit true crime podcast Listen for the Lie and its too-good looking host, Ben Owens, have decided to investigate Savvy’s murder for the show’s second season. Lucy is forced to return to the place she vowed never to set foot in again to solve her friend’s murder, even if she is the one who did it.
The truth is out there, if we just listen.

“Here’s a word. Bereavement. Or, Bereaved. Bereft. It’s from the Old English bereafian, meaning ‘to deprive of, take away, seize, rob’. Robbed. Seized. It happens to everyone. But you feel it alone. Shocking loss isn’t to be shared, no matter how hard you try,” (Macdonald 13).

After her father suddenly dies, Helen Macdonald decides to train a goshawk named Mabel. A longtime falconer, Macdonald has read about but never trained a goshawk, a notoriously difficult type of predatory hawk to tame. Returning to T.H. White’s The Goshawk and analyzing his life while training Mabel and grieving, Macdonald forms an unexpectant bond with her goshawk.

I’d heard of H is for Hawk for years but didn’t really know anything that it was about aside from a woman learning to train a hawk. I didn’t know it was about grief, but when I did it only piqued my interest.

H is for Hawk is an incredibly well-written and detailed memoir about loss, falconry, animals, and author T.H. White. Some readers may get annoyed by how much of this memoir is also about T.H. White’s life, but it has it’s purpose. I didn’t know about him until Macdonald’s book so was surprised by his legacy as a writer (anyone ever watched The Sword in the Stone? You have White to thank for that!), his history as a falconer, as well as his own traumatic and repressed upbringing. While both White and Macdonald are very different people who lived very different lives, there is an escape both are reaching for through their goshawks. They are each looking to cope through something traumatic through a wild animal, finding kinship in the wildness of their own emotions.

While some reviewers have mentioned they would have liked more vulnerability from Macdonald about her grief and that she seems to skirt away from talking about her own feelings and her relationship with her dad in favour of talking about White (which I believe there is truth to), I also think she does talk about grief in her own way. The way she describes the madness of grief and how it completely rocked her life was so realistic that I am happy she talked about it because it is a part of grief that is very rarely acknowledged. But her grief is also shown in her obsession with Mabel, her need for distraction through her goshawk. Even if Macdonald isn’t telling you exactly how she is feeling or grieving, she is showing it often throughout the book and in her relationship to Mabel.

H is for Hawk is a unique, vulnerable, and different way of talking about grief that I think many grievers will find a surprising kinship to while non-grievers will see a side of grief they may be unfamiliar with. It’s a well-written, well-researched, and beautiful memoir. I’m so glad this book found it’s way to me!

Publication: July 31 2014
Publisher: Grove Press
Pages: 300 pages (Paperback)
Source: Library
Genre: Non Fiction, Memoir, Grief
My Rating: ⛤⛤⛤.75
Summary:

As a child Helen Macdonald was determined to become a falconer. She learned the arcane terminology and read all the classic books, including T. H. White’s tortured masterpiece, The Goshawk, which describes White’s struggle to train a hawk as a spiritual contest. When her father dies and she is knocked sideways by grief, she becomes obsessed with the idea of training her own goshawk. She buys Mabel for ?800 on a Scottish quayside and takes her home to Cambridge. Then she fills the freezer with hawk food and unplugs the phone, ready to embark on the long, strange business of trying to train this wildest of animals.

“What am I without religion? What am I without the safety of us?” (Jong 119).

In Tamara Jong explores her life growing up and being a devour, practicing Jehovah’s Witness while also understanding the instability of her childhood and her father’s emotional distance and mother’s alcohol addiction as she comes to lose and understand herself in her debut memoir.

I hadn’t heard of this book before hearing Tamara Jong herself speak about it at gritLit last month. I was fascinated to hear her speak about how she experienced a loss of identity when she left the Jehovah’s Witnesses because they, religion, and her faith were such big parts of her life that she didn’t know who she was without those things in her life and it made me realize that she had named something I’d experienced when deciding to no longer be a practicing Catholic. While both religions are very different, I had never heard someone grief and talk about the loss of identity when leaving a religion after being devout and felt a kinship and urge to read her book because of that.

Jong’s memoir is unique in that it is a memoir in essays, meaning that the book doesn’t follow a linear path and that at points certain information is repeated or said again as if it has never been said before. I don’t believe I’ve read a memoir in this style before so it made for an interesting reading experience because we had snippets of Jong sharing her life in different aspects there is also a lot of information not shared. For example, while her husband is mentioned a lot we don’t get to see how they met, their wedding day, or know much about their relationship, but that is also not what the memoir is about. The format of a memoir in multiple essays is interesting because it does mean that unlike a more conventional memoir, Jong can choose which parts of her life she wants to talk about instead of the book becoming a tell-all, and I thought the essay format suited her voice.

I really enjoyed Wordly Girls and learning about Jong’s upbringing and her search for herself outside of religion and in regards to motherhood, which was also shaped by her religious upbringing. While different from mine, I thought this was a vulnerable, much needed topic to explore because I do think there are readers out there (like me) who relate and are looking for someone to talk about this because despite the many valid discussions to be had about aspects of religion being bad, there is also no doubt that many people feel safe in religion, many people find community there and that it complicates things while also shaping people’s identities.

I am so happy Wordly Girls found it’s way to me. I hope Jong writes much more because her words and insights have touched me, and I’m sure they will make many others feel less lonely as they find who they are now.

Publication: September 9 2025
Publisher: Book*Hug Press
Pages: 216 pages (Paperback)
Source: Owned
Genre: Non Fiction, Memoir, Canadian
My Rating: ⛤⛤⛤⛤
Summary:

Tamara Jong’s debut memoir is a moving portrait of trauma, addiction, grief, and forgiveness. In sparse yet searing prose, Jong documents the tragic history of her fractured family and her fraught relationship with her strict Jehovah’s Witness religion. In doing so, she shines a light into the dark corners of memory that have haunted her well into adulthood.

With clear-eyed honesty, Jong collects the fragments of her unstable and unconventional childhood with her busy schedule of Jehovah’s Witness meetings, Bible study, and door-to-door ministering. She also details her emotionally distant father and alcoholic mother’s tumultuous marriage, her indoctrination into and later rejection of her faith, her deep yearnings to become a mother after the loss of her own, and her struggles with mental health.

After corporate and spiritual burnout, and a suicide attempt at the age of thirty-two, Jong comes to understand that the religion she long believed would protect her prevented her from pursuing her true sense of self. In a story that traverses a wide range of potent themes—alcoholism, estrangement, grief, depression, infertility—the ultimate message becomes one of hope as Jong finds her own path to healing and belonging.

Detailing the slow unravelling of one woman’s connection to her faith, Worldly Girls is a brave journey into the truth and will offer solace to anyone who has wrestled with the ghosts of the past.

I received this book from River Street Writing in exchange for an honest review.

“After all, libraries are for everyone,” (Berman Ghan, “Spectres of Biblioteca,” 19).

The Library Cosmic is a collection of science fiction stories travelling through time and space asking readers about community, togetherness, identity, technology, and where we fit in all of it. Is love purely human or can it spread to AI and various other technologies in a world growing more and more technologically dependent? And is there a way that libraries themselves can save the growing disconnect between people?

I always love when a sci-fi book is sent my way because it reminds me of how much I love the genre and how I really need to read more of it. Being sent The Library Cosmic was even more of a joy because it’s a short story collection of connected science fiction stories and I don’t think I’ve read a short story collection like that before.

That being said, I struggled a bit with The Library Cosmic. While the world of these stories are lush, readers are thrown into the thick of what is happening in this future world with little explanation of how we got here. We see these characters living and reacting to what is happening around them while trying to fit together of what is and isn’t normal and it can get hard to follow at times. In an interview with All Lit Up, Berman Ghan is quoted as saying, “[d]on’t explain it. If you can, it won’t be magic anymore” and my guess is that this is where the vagueness comes from in most of the stories.

I really enjoyed how technology was shown and talked about in his stories, particularly in “The Church of the Hot Pink Jesus” where the protagonist loans his body in a droid-like fashion for various uses from sex work to wait staff and janitorial work as a way to make money. I loved the emotion of “Wild Dream Country” though struggled to understand what was actually happening at certain points of the story. I loved the relationship between Elisha and Lawrence in the titular story, and the futuristic world of “The Resting Place of Trees” where humans are no more and robots and tech rule the land. There are great themes on what makes a human a human, a person a person, who are we when we become entwined with technology and how to we find community in a disconnected world, I just wish things were a little less vague. I wish Berman Ghan invited readers to understand this futuristic world instead of taking backseat and observing it. I like a puzzle, but wouldn’t mind some help putting it together.

And of course, I loved the messages of libraries that really binds the whole collection together, how they are spaces of knowledge, community, and understanding. Hopefully my library will get a copy soon!

A thought-provoking book that encourages it’s readers to really consider what it means to be human, this was a lovely collection that at it’s core is about love and community. You don’t want to miss out on these stories!

Publication: May 12 2026
Publisher: Buckrider Books
Pages: 242 pages (ARC Paperback)
Source: River Street Writing
Genre: Fiction, Short Stories, Canadian
My Rating: ⛤⛤⛤.5
Summary:

In this fabulous and moving collection of short stories Benjamin Berman Ghan traverses time, space and the written word to consider the mysteries of life. From ghosts to golems to far future AIs these stories ask the big questions: What is consciousness? What gives a being its soul? What are the boundaries of love? And, perhaps most importantly, how will libraries save us all?

“In my experience, you couldn’t truly understand the secrets of a house without understanding the people living there first,” (Uketsu 19).

After the success of his last book, horror writer Uketsu has been getting inquiries from fans about their own strange buildings and if he might take a look at the floor plans to see if anything horrifying lurks in the illustrations. During his research, Uketsu finds eleven buildings that all share a terrifying history. The pieces of the puzzle are there, can you put them together? Continue reading

“I was going to get myself eaten. I could tell. It was just one of those days,” (Herman 15).

There is a threat against Princess Melilot’s life, but she’s used to it. With a scary sorceress for a stepmother that makes Melilot and her magically superior stepsisters go on more and more dangerous quests, a threat against her life is part of an ordinary day. When her stepmother commands Melilot to marry a king she’s never met, she obeys. What else is she to do? But when a hoard of spider-wolves attack her on the way to meet the king and she is rescued by twelve similar looking masked huntsmen, Melilot hides her identity and finds herself in a kingdom with strange gender tests and a talking lion, all the while finding herself falling for one of the huntsmen and her fiancé’s attractive sister. Melilot must find out who wants to kill her and the king, all while trying to avoid her stepmother’s wrath. Continue reading

I received this book from River Street Writing in exchange for an honest review.

“You wished for revenge. She heard you. SHE HEARD YOU. Do you understand? SHE! HEARD! YOU!” (Smith 11).

After her Sister-Cousin dies on the Highway of Tears, a young Indigenous woman  embarks on a journey with her na̱xnox to find the killer and bring justice to her and the other missing Indigenous women who have died. Continue reading