Sarah O'Connor

Writer – Playwright – Cannot Save You From The Robot Apocalypse

“Yeah. In a world that wants me to hate myself, teaches me to hate myself, expects me to hate myself, learning to love myself instead can be an entire revolution,” (Callender 310).

Lark Winters is an aspiring author, but until publication of their uncompleted manuscript Birdie Takes Flight happens, Lark must post on their social media accounts to build a platform while querying agents. Afterall, once the agents see the amount of followers they have on their social media accounts, Lark will have to get represented. But one night Lark’s former best friend Kasim accidentally posts a thread declaring unrequited love for a secret person on Lark’s Twitter account. To protect Kasim, Lark takes the credit, and ends up getting closer to their crush Eli in the process. It’s only a little white lie after all. But even small lies grow, and strangers on the internet, as well as other students at the Commons where Lark takes a writing class, are ready to judge them. Things are getting complicated, online and in real life for Lark and with Kasim. Can things be the way they used to between them? How much messier can Lark’s life possibly get? Continue reading

“Do you swallow or spit?”

I’m seven the first time I’m asked this by a boy around my age at a park where I would one day play soccer. My dad brings my twin sister and I to the park during the summer to play with the Supie since the friendships we make during the school year rarely survive the summer, if we make any at all, and disappear by the time Fall comes around again. So we go to the park and play with the Supie, the Supervisor hired by the city to keep us and the other neighbourhood kids entertained during the day. At seven the Supie seems like someone wise and responsible but over ten years later I recognize her as a teenager, a young girl who is probably working her first job over the summer before school resumes in the Fall.

“Swallow or spit what?” I ask because I don’t understand the question, don’t understand what it is I would be swallowing or spitting. My own question is hilarious to the boy and his friends who sit in the circle with me and the other kids. I remember that day was hotter than the others that week, that the Supie had already exhausted us playing Grounders on the playground equipment and making gimp bracelets under the hut where my dad sits in his foldout chair reading his newspaper. She’s lead us down the small hill to the copse of trees between the hut and the play equipment where we’ve tried to play Wink Murder but have given up with the heat. I know my sister is in the circle, playing the games we all were but I know the question hasn’t been directed at her. I don’t know if it’s because I’m sitting closer to the boy and his friends that he decides to ask me.

Read the full post on my Substack.

“‘You have no idea what it means to be a Southern woman…It means fixing messes that the men make. It means running the Underground Railroad right under a husband’s nose, and it means rebuilding the South after fathers and husbands and brothers started the war with their stubborn pride. The women were the ones that fed and clothed and housed and had babies and buried and then got up the next morning and did it all over again,'” (Bird 298).

Pearl Williams has up and died days before her eightieth birthday and now her three granddaughters have to turn her surprise birthday party into a wake, as if their lives weren’t stressful enough. Pastor’s wife Tara makes decisions for her family that could put them in a tricky place with the church, June will do anything to have a baby even if her husband Nic disagrees, and Clementine is having an affair with her much older professor, eager to ignore the claims against him. And then of course there’s Stephanie, their sister-in-law who knows all of the Williams women’s secrets, and is ready to reveal all to the Sheriff, especially when a man goes missing in the Appalachian woods. Continue reading

“So what kind of things did you see?” (Bervoets).

Kayleigh is in debt, and her new job at Hexa as a content monitor for an unnamed social media platform has a nice paycheque that just might get her out of it. All she has to do is stare at a screen and remove offensive videos and pictures and rants all day, unless it meets the community guidelines. It’s difficult, but Kayleigh has a good group of colleagues and her new girlfriend Sigrid who she works with to help. But Sigrid is starting to act strange, and her colleagues are starting to believe the conspiracy theories they’re supposed to be critical of. Maybe this job is too much for some people, but Kayleigh can handle it. Right? Continue reading

“It’s hard…I’m forty-four and I don’t know what I want to be when I grow up,” (Nugent 149).

Sally Diamond doesn’t understand why everyone is acting like she did something wrong. Her father told her to put him out with the trash when he died, and that’s exactly what she’s did. But now the media is obsessed with her, her family friends worried, and with all the drama a secret from her past emerges. As Sally comes to terms with the horrors of her past, she decides to change the way she’s lived before. She makes friends, she learns to be independent, she experiences the world she never lived before and learns that people don’t mean to be as literal as the things they sometimes say. But then Sally begins receiving letters from a stranger in another country, someone who calls her Mary, a stranger from her past who threatens to unravel all the work Sally has done with herself. Continue reading

“Memories are time travel, and so are regrets, hopes, and daydreams. When we die, the people we love carry us forward into it,” (Smale 295).

Cassandra Penelope Dankworth knows what she likes (wearing colour-coordinated jumpsuits during the weekday, her boyfriend Will) and dislikes (her job, change). Cassandra enjoys her predictable life until one day everything goes wrong: she’s fired from her job, her boyfriend dumps her, and her local café has run out of banana muffins. But it’s also on this day that Cassandra realizes she can travel back in time and she starts to wonder if, despite her namesake, she can change her future for good. Continue reading

I received this book from The Next Best Book Club in exchange for an honest review.

“It began many years ago, in the first love of shadows. The first knowing of the body’s dark, the curve around its shape holding darkness,” (Jopp 240).

Sonya Hudson’s life has been dominated by a severe phobia of cats since she was thirteen, seemingly out of nowhere. She doesn’t know what the cause could be. A visual artist, Sonya’s lived a comfortable life with her parents and younger sister Lois. True, her parents didn’t have a lot of money, and at times things could be tense with them, and the family moved a lot in Sonya’s youth, so what could be causing Sonya’s fear? Continue reading

“Queer life experience is different; queer cultural experience is different. Why not reframe stories using existing tropes rather than cookie-cutter it instead? That’s also what ‘queering’ means: to disrupt, reframe, challenge and question how it’s always been done,” (Garside 21).

I always find the popularity of Schitt’s Creek a source of pride and humour on my end. As a Canadian, everyone (or at least us Ontarians) were aware of the show from its start and it was watched pretty regularly watched by Canadians so when the pandemic started it was strange to see the world discover and fall in love with this show. I liked reading Garside’s side to things as an author from the U.K. who did watch Schitt’s Creek before the pandemic but was an outlier in doing so before the world caught up with her during the pandemic. It’s still strange to see this proudly Canadian show (though set in the States) went on to win Emmy’s and become and comforting presence to many during a difficult time. Continue reading

“You can burn a book or a library, but to really destroy a story you have to destroy the language and its people. Or write another one,” (Barwin).

After an unfortunate incident in his youth that left Motl ball-less, he has decided to go on a quest to find them and, hopefully, procreate. Except that Motl is now middle-aged, and the Nazi’s have just invaded Lithuania, also he’s Jewish. There are more than enough obstacles in his way, but for cowboy loving Motl nothing is impossible. When his mother Gitl gets lost on the journey, Motl joins forces with a Jewish woman named Esther whose family has been killed, an Indigenous man, ends up joining a circus and gets too close to comfort to Himmler, it’s a wonder how this middle-aged Jewish cowpoke will make it. Continue reading

“Love…is potent and powerful — it gives pleasure, meaning. But it also dominates, weakens, is a beast greedy and selfish, requiring constant sacrifice. To love is to cede our own power, an act of surrender we cannot guarantee will be returned,” (Keetch 203).

Morgan of Cornwall lives a happy life with her mother, father, and two elder sisters in Tintagel Castle. But her happy life becomes clouded after her father is killed by King Uther Pendragon in battle and with the help from the sorcerer Merlin, tricks her mother into marriage. Unlike her elder sisters and mother, Morgan refuses to obey the new king and instead learns all she can, studying the healing arts and discovering great power within her as well as true love. Even when she is used as a pawn in her stepfather’s war games, Morgan finds a way to be cunning and fierce and find her power in a world ruled by men. Continue reading