“Hill House neither sleeps nor dreams. Shrouded within its overgrown lawns and sprawling woodlands, the long shadows of mountains and ancient oaks, Hill House watches. Hill House waits,” (Hand 3). Struggling playwright Holly Sherwin has just received a grant to develop her play, an adaption of The Witch of Edmonton, that may just bring her the success …
“You’re searching for something profound. Something to tug at your heartstrings…The house is an animal. And it wants to feed,” (Samsbury 234). Daisy can see the dead. It’s an ability she’s had all her life which makes living in ghost-filled Toronto difficult. She usually has a handle on it, but when her boyfriend suddenly dumps her …
“Now, if three girls enter a house and only two leave, who is to blame? And if both girls tell a different story, but you read online that you have to BELIEVE WOMEN, what do you do? Do you decide one is woman and one isn’t, so you can believe one of them but not …
“One step forward, two steps back. You think this house is going to be a real windfall and then – boom – it’s haunted,” (Hendrix 153). When Louise Joyner learns her parents have died in a car accident, she’s understandably heartbroken, but she doesn’t want to go back home. She doesn’t want to leave her five-year-old …
After getting a call from her estranged, dying mother to come home Vera Crowder does, because that’s what a good daughter would do. But home means the Crowder House, the house her father built, and though Vera felt much comfort there growing up it has it’s own bodies buried there, literally. Because Vera is the …
“Here’s the problem with horror movies: Everyone knows what’s coming next but actions have momentum, every decision an equal and justified reaction. Just because you know you should, doesn’t mean that you can, stop,” (Khaw 109). A group of five friends travel to Japan for a wedding in a long abandoned Heian-era mansion. The mansion is …
Sarah O'Connor 