“One step forward, two steps back. You think this house is going to be a real windfall and then – boom – it’s haunted,” (Hendrix 153).
When Louise Joyner learns her parents have died in a car accident, she’s understandably heartbroken, but she doesn’t want to go back home. She doesn’t want to leave her five-year-old daughter Poppy with her ex and fly to Charleston, to deal with her childhood home and the hoarder level of puppets now live inside of it. Most of all she doesn’t want to deal with her estranged, immature, slacker brother Mark who resents her success and who her parents adored. But the house needs to be sold, the money would help her daughter when she’s older. But there are strange sounds coming from the attic, and her mother’s favourite puppet Pupkin keeps showing up in the strangest of places, probably put there by her brother to scare her. But Mark keeps saying the vibes in the house are off, will they be able to sell it or does something more sinister lurk in its foundations? Continue reading