Sarah O'Connor

Writer – Playwright – Cannot Save You From The Robot Apocalypse

“Witches were never capitalists. We were the thing that stood in the way of capitalism, which is just the engine of the patriarchy, after all. Witches were not all killed by fire. We are the fire,” (Dimaline 133).

Lucky St. James is not so lucky. Her beloved Metis mother Arnya died when she was young, she’s stuck working temp jobs because she can’t find any writing ones, and now she and her grandmother Stella, who raised her, are about to be evicted from their apartment. Then one night Lucky finds a small spoon with the word SALEM engraved on it and is brought to the actual town by Meena Good where she finds out that she is a witch and that Meena has been called to bring together the seven witches who find their silver spoons to form a coven. Except that the last spoon is missing, and the deadline to form the coven is fast approaching. But Lucky is up for the challenge and ready to accept her destiny going on a road trip throughout the United States with her forgetful grandma to find the last spoon and form the coven. But a witch hunter, Jay Christos, is aware of the spoon and the last witch as well and will do anything to stop the coven from being formed, which means he’s right on Lucky’s trail every step of the way. Continue reading

I received this book from Playwrights Canada Press in exchange for an honest review.

Caroline is the daughter of The Prophet and excited for her Divine Birthday, when the Angels will come and impregnate her. She knows her boyfriend Ian will make a great father; he’s promised her he read all the materials and is fully ready to commit to her. But they need some new recruits, like Ian’s ex Wasp and their girlfriend Janey, Caroline’s best friend. But Janey and Wasp have no interest in the church and are proud of their identities, even if their town has banned birth control, Janey’s last-ditch effort at transitioning. Janey and Wasp need to get out, and hopefully find a way out for Caroline’s closeted sister Rachel, but the church has ways of finding them. Continue reading

Sometimes I wish it was enough to just say that I was feeling sad, but there’s always been a taboo against that. I’m not the only person who’s felt obligated to say that they were fine when they were anything but, to stitch a smile on my face and pretend to be happy. Continue reading

“One step forward, two steps back. You think this house is going to be a real windfall and then – boom – it’s haunted,” (Hendrix 153).

When Louise Joyner learns her parents have died in a car accident, she’s understandably heartbroken, but she doesn’t want to go back home. She doesn’t want to leave her five-year-old daughter Poppy with her ex and fly to Charleston, to deal with her childhood home and the hoarder level of puppets now live inside of it. Most of all she doesn’t want to deal with her estranged, immature, slacker brother Mark who resents her success and who her parents adored. But the house needs to be sold, the money would help her daughter when she’s older. But there are strange sounds coming from the attic, and her mother’s favourite puppet Pupkin keeps showing up in the strangest of places, probably put there by her brother to scare her. But Mark keeps saying the vibes in the house are off, will they be able to sell it or does something more sinister lurk in its foundations? Continue reading

“Guilt casts a spell like the one cast by despair. The spells of love and hope don’t linger like the others,” (Johnston).

When fourteen-year-old Ned Vatcher comes home from school after the first snowstorm of the season he finds his house locked, the family car missing, and his parents gone. Word spreads across Newfoundland about the Vanished Vatchers: Edgar, the disliked right-hand man to the colony’s prime minister who fell from grace and his wife, London-born Megan who yearned to go back home. The Vatchers weren’t liked on the island, and Ned agonizes over what happened to his parents. Murder? Suicide? He can’t believe his parents would leave their only child behind. But the Vatchers are no strangers to tragedy, years before his uncle vanished at sea and his death still haunts his grandparents and Uncle Cyril. He finds care and kindness from a Jesuit priest, Father Duggan, who starts a trust so that Ned won’t be destitute, and a friend of his father’s reporter Sheilagh Fielding who finds a surrogate in Ned from her estrangement from her twins. Spanning fifty years, this epic novel offers a character study into grief, longing, love against the backdrop of Newfoundland. Continue reading

“I don’t want to talk about the rain or the trees or the…guilt I feel every single minute of every single day. And if I write it all down, I want to do it in pencil so I can rub it straight back out again, erasing that whole part of my life so it smudges into nothing and I can start again,” (Pitcher 224-225).

Zoe has become penpals with Mr. Stuart Harris, a Texas Death Row inmate awaiting capital punishment for killing his wife. But he’s the only one who really understands Zoe, since both of them have committed crimes of passion. In a dark garden shed Zoe composes her letters, her confession to Stuart, explaining how it all began with two boys, one she betrayed, one she killed, and how she hides it all away. Continue reading

I received this book from Playwrights Canada Press in exchange for an honest review.

Reenie wants to dance just like her mother who worked hard to make a spot for herself on the stage and her grandmother who worked behind-the-scenes making costumes. It’s her legacy, and like the other young dancers in her ensemble Reenie feels that she is the one who will be performing the coveted solo as the role of the Firebird in the year-end recital. But Reenie begins to notice that the incredibly strict maestra holds some of the dancers to a different standard than others, particularly Maia, the other Black girl in class, because of her “urban” look. Reenie knows it’s wrong, and she’s finding the words to fight for what she believes in but doesn’t find support from her mother or the rest of the classmates. What can Reenie do to challenge and change the injustice she sees when no one wants to stand beside her? Continue reading

” Are you a Christian?’ Ilonka finally asked.

‘No, I am dying.” Anya turned a page. “Dead people have no religion,'” (Pike 4).

Ilonka Pawluk has checked-in to Rotterham Home, a hospice for teenagers, typically state wards, who are soon to die. But Ilonka is different, she’s taking better care of herself, and once her hospital tests prove that she’ll be out of Rotterham and back to living. Until then, Ilonka meets with her roommate Anya and other Rotterham residents Spence, Sandra, and Kevin at midnight for the Midnight Club where the teens regale great stories of mystery, horror, and tragedy to each other. After one frightful story the teens make a vow to whichever one of their group dies first has to come back and show them a sign. But then one of them does die… Continue reading

My parish priest died in February. Leukemia, relatively quickly it seems based on his obituary. He wasn’t my most recent parish priest, but he was the first priest I knew when I first started attending church as a tiny thing that needed to stand on the kneelers in order to properly participate in mass.

He was the priest I associated with my parish for a long time before he moved to a rural parish. He was the first priest I altar served with. Before I altar served and spent mass time doing that, I’d attend a sort of Sunday school version during mass. Father used to announce at the beginning of mass that it was time for Children’s Liturgy, which offered a simplified version of the gospel and homily, and as I and the other children of the parish gathered around him he’d usually ask us some questions that would be related to the gospel before we followed our liturgy leader to the meeting area of the church. At the end of mass my dad, sister, and I would speak to Father, even if my sister and I had been altar serving and spoken to him already. If it was cold Father wore a black cloak outside when he said goodbye to his clergy.

Read the full post on my Substack.

“People love an idea, even if they don’t know what to do with it. Even if they only know how to do exactly the wrong thing,” (Machado 228).

In her memoir, Carmen Maria Machado finds the words, after years and difficulty, to articulate what it was like being in an abusive same-sex relationship. Part fairy-tale, horror story, Choose-Your-Own-Adventure as well as a number of tropes to cleverly and concisely detail the abuse she endured, Machado’s memoir is a unique and unforgettable classic. Continue reading