“Neither the void or the cliff above it look the same to me as they do to normal people. The void, for me, has stuff in it, so it’s not a void anymore; and the cliff is engulfed by a black and measureless haze,” (Khoda 17).
Twenty-three year old Lydia is living alone and away from her mother for the first time. Recently putting her mother in a long-term care home, Lydia has just moved into a studio space in London and is about to start interning at a famous art gallery. But she’s hungry, and the only food that will keep her fed is blood, because Lydia and her mother are vampires. Long since shamed into surviving only on pig-blood, which her mother identifies as a filthy animals, Lydia yearns to eat the sashimi and ramen that her Japanese father, who died before she was born, ate and spends her time not working on art watching YouTube eating videos. Struggling with her mixed-ethnic identity, Lydia struggles for how to be in the world on her own. Continue reading
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